Showing posts with label Skins. Show all posts
Showing posts with label Skins. Show all posts

Saturday, July 25, 2009

Old Shit Sunday... The All-Reggae, All the Time Edition

1) Althea and Donna - "Uptown Top Ranking" (1977)

Don't feel bad if you're not familiar with "Uptown Top Ranking." Like so many great reggae singles of the 1970s and '80s, it was a huge hit in Jamaica, obviously, and the UK, but was ignored in North America by everyone apart from Jamaican immigrants and record nerds.

The song is based around Alton Ellis' "Still in Love" riddim, which is such a classic in and of itself that modern reggae artists still trot it out occasionally. (See Sean Paul and Sasha's 2004 hit, also called "Still in Love.") Apparently it's meant as a ladies' response to Trinity's mack daddy anthem "Three Piece Suit," which uses the same riddim.

What's really remarkable about this song is how it's stood the test of time. Not only does it still sound pretty fresh today, but it's been covered by scores of artists, ranging from indie rockers Black Box Recorder, to Simon Cowell produced girl group Tight'n Up, to Sisters of Mercy. (No, seriously, here's evidence.)

I read a review that accused it of being the "Hit Me Baby One More Time" of '70s roots reggae, and maybe that's true. (In addition to being one hit wonders, Althea and Donna were thoroughly middle class by Jamaican standards, resulting in a severe lack of street cred in the reggae community.)

That said, when a song pops up in not one but two TV shows thirty years after it's original release -- it was played in both a 2008 episode of Skins and a 2007 episode of Entourage -- that says something.



2. "Ring the Alarm" - Tenor Saw (1985)

Despite dying in a traffic accident at the tender age of 22, Tenor Saw is, in my humble, white, Canadian, no-nothing opinion, one of the more influential reggae artists of the 1980s.

He was one of the artists who helped usher in the digital/dancehall era of reggae music, and while it's hard to prove this on a chart, one would have to assume that his half-sung vocal style made the transition from the singers of the 1970s to the hard rhymers of the late '80s and beyond a little smoother.

I would say that I've loved this song since I was eleven years-old, but that would be a lie. When I was eleven, I got obsessed with a song of the same title by Caribbean-American rap group/friends of Shaq The Fu-Schnickens, which jacked the chorus of Tenors Saw's song. Later on, I heard the original and pretended that I'd been a Tenor Saw fan for years.



3) "Ghetto Red Hot"- Super Cat (1992)

Those of you who are old enough may remember a period in the early '90s where dancehall reggae started getting some significant burn on American "urban" radio stations. Shabba Ranks and Chaka Demus and Pliers had chart hits and suddenly every rapper wanted a reggae singer, or barring that, some idiot with a faux-Jamaican accent, to rock a verse on their single.

Into this fray cam Super Cat, already a legend in Jamaica, Cat took the rap-reggae crossover bull by the horns at wrestled it into submission. In two years, he managed to collaborate with everyone from Kris Kross to Mary J. Blige to a then-unknown Notorious BIG. He started making multiple remixes of his songs, creating one version with a more traditional dancehall sound, intended for Jamaican audiences, and another over a hip-hop beat, meant for export.

Sadly, Super Cat is best known in North America for his pathetic attempt to re-capture the spotlight in 1997 with a guest appearance on Sugar Ray's fly, but we shouldn't let that bit of bad judgment overshadow the fact that, between 1990 and 1995, Super Cat made some of the hardest rudeboy anthems of all time.


Super Cat - Ghetto Red Hot (Official Music Video) - Click here for more free videos

Sunday, July 19, 2009

More Skins goodness

If anyone wonders why I've been saying Sid from Skins is a younger, English version of me, go here and fast forward to about 13:38.

Sunday, July 5, 2009

Skins OR holy shit, the English really are better than us at everything...

So, I feel like a bit of a loser writing about a TV show that's been on the air for two years and acting like it's some rad new discovery, but I feel like I can be excused because I didn't have BBC Canada until recently.

It's also a little embarrassing to admit that I'm a 28 year-old man and have an inexplicable love of teen dramas, but I'd like to leave that on the shelf for a minute, if I could.

So, I've spent the last week watching the entire first season of E4's teen drama Skins. I'm now well into season two, and I have to say, it may be the best TV show I've come across in a long while. Don't get it twisted, it's not The Wire good, but only The Wire is The Wire.

If you've read anything about Skins, you're probably aware that British and Australian TV critics have raved about how "realistic" the show is. That's actually a little bit bullshit. When the critics say "realistic," they actually mean that it acknowledges that most teenagers have sex for the first time around age 15, that they smoke pot, take pills, and drink, and that more often than not the kids turn out OK, in spite of all their debauchery.

So it doesn't turn teenage experimentation into an after school special like 90210, or paint the kids who like to party as inherently evil (think Chuck in Gossip Girl.) That doesn't make it realistic. In fact, if anything, Skins is the most surreal teen drama I've ever seen.

Think back to your high school days. Did you and your friends ever drive a Mercedes into a harbour? Get felt up by a BBW Polish exchange student? Lose three ounces of dope that you purchased on credit from a sociopath named the Mad Twatter? No? Didn't think so. This is just what goes down in the FIRST EPISODE of Skins.

In short, it's a great show. And in terms of how it deals with things like eating disorders, sexual orientation, drugs, religion, and identity crises, it's pretty damn realistic, but the plot devices owe more to John Hughes and Monty Python than they do to Larry Clark.

Oh, also, it has some OUTSTANDING music in it, but apparently if you watch it on BBC Canada/BBC America, you don't get to hear any of it due to rights issues, so watch it illegally on the Internet instead.

Here's the musical outro for Season One.


Skins - It's a Wild World Video - Watch the best video clips here