I tend to forget how much I like Fat Joe. He's a technically above-average MC, with what I would call a classic, battle-influenced New York flow, heavy with wordplay, metaphors, and punchlines, and when he wants to, he can make some bloodcurdlingly credible threats.
The reason I forget how much I love Joe is that while he's a great MC, he makes a lot of shit. His biggest commercial hit of all-time is still the absolutely terrible "What's Luv?", a duet with that breathy-voiced waste of skin Ashanti and the shirtless wonder, Ja Rule. Every time he makes some incredible, awesome piece of Goodfellas-on-wax type of gangster shit, he seems to have this inexplicable need to balance it out with a rap-ballad or an inane party jam.
"Hey Joe" features Señor Cartagena at his absolute best, and flips a Jimi Hendrix sample to make the chorus. The song has been making the rounds on the web for a couple months, but the video just came out this week.
Oh, and by the way, if MuchMusic showed videos like this one, I would still watch it as religiously as I did when I was 13. Just saying.
OK, while "The Message" is sort of a novelty tune, it does prove my point that "bassline house" and "UK funky house," are basically just re-warmed two-step garage.
It's also a lot of fun.
For those of you who don't quite get what's going on here, UK-based producer/MC Smasher has gathered together some of the better known names of the old UK garage/two-step scene and put them together on one massive reunion track.
(I'm sure he didn't have too hard a time. I can't imagine these guys are very busy these days.)
Is it a collection of old two-step clichés? Yes. Is the video unbelievably budget? Yes.
Do I really like it? Is it, is it wicked? Yes. In fact, I would go so far as to say I'm lovin' it, lovin' it, lovin' it, lovin' it like this.
People tend to think of me as a hip-hop guy, with touches of electro thrown in for balance. While I can't say I'm surprised, anyone who knows me really well knows that this is a little inaccurate. In fact, my rock-fan cred is pretty deep.
I was a full-blown punk rocker for much of high school. I almost peed myself when I went to see Iron Maiden live. I count The Smiths among my favourite bands. I've rediscovered The Stranglers lately. I own a Discharge album, for fuck sake. I have Youth of Today on vinyl.
I just don't like much new rock. There's some stuff in the last decade or so that's caught my attention. I like pretty much anything that could be dubbed dance-rock or disco-punk -- think DFA Records, The Faint, CSS. I enjoy a lot of the blues-inspired stuff, like Soledad Brothers and The Black Keys. I really like all that British angular stuff, like Art Brut and Bloc Party. I think Fucked Up may be the greatest thing to come out of Toronto in years.
I just think that nine-tenths of modern indie-rock sounds like it was made by pussies, for pussies. I don't care if it makes me a bad white, Torontonian 20-something, Broken Social Scene make me throw up in my mouth. Honestly, it's all so soft. It's fine if you're a weepy, anemic bitch, but that's about it.
God, make something that sounds painful, or intimidating, or something. Just don't make music that sounds like it was made by a bunch of weepy, anemic art students.
If you're not sure where to start, listen to this song by The Raveonettes. It's about being in love with a heroin addict, and it sounds like old Jesus and Mary Chain.
So, I skipped Old Shit Sunday this week because I was in London -- the dull one, not the good one -- interacting with the in-laws. Sorry about that.
1) "Kiss of Life" - Friendly Fires, from Bigstereo
If I ever meet DJ A-Trak, I'll have to thank him for introducing me to half of the new music I've gotten into over the last six months. DiskJokke, who was in this blog last week, DJ Gant-Man and The Friendly Fires were all introduced to me through the two mix CDs A-Trak released earlier this year, Infinity + 1 and Fabriclive .45. If you haven't heard either mix, I suggest you make changing that a priority.
I was aware of The Fires before, but wrote them off as some sort of wanky hipster band without ever really listening to them. That was a huge mistake. It goes to show that you shouldn't pre-judge music, because you could wind up missing some really great stuff.
The Friendly Fires are like the dance-rock band that irony forgot, which is great. As much as I like all that DFA disco-punk stuff, it occasionally felt like some of the bands in that scene were too interested in being cool, rather than filling dance floors. The Fires, on the other hand, are all about getting on the floor and going hard. "Kiss of Life" is the first single on their as-of-yet unreleased second album,
2) "URgencia" - Manusa and Prince Abraham for CIAfrica, from Dutty Artz
CIAfrica is a new French-based label that specializes in urban music from Cote D'Ivoire. I don't know much about Manusa and Prince Abraham, but "URgencia" is a terrifying, anxiety-inducing chunk of Africanized post-grime. It's the sort of song that, as a some-time DJ, I'd love to play in a club, but at the same time, I'd be terrified to play it in front of a crowd of any size for fear people would start punching each other in the face.
Take Lethal B's famous 2004 fight-starting anthem "Pow," then feed it a metric tonne of meth. "URgencia" is that crazy.
2Horsemen are Brazilian, which is almost enough for me. I can't think of a Brazilian band that I don't like: CSS, Bonde do Role, Ratos de Porão, Black Alien and Speed, all excellent outfits. If Brazil is good at one thing, it's making music. That and soccer.
"Momen7um" is a tight electro-house number, with oddly Black-era APop EBM overtones. It's funky enough to pack dancefloors, but dark enough to keep things interesting. A guaranteed winner.
So, I wanted to do a weekly new music post, but I felt a little awkward just walking around jacking other music blogs for material.
Then I realized that that's how 90 per cent of music blogs operate, and I decided that if it's good enough for The Guardian Online, it's good enough for me. So, with no further ado, I present the inaugural edition of Get Fresh Tuesday.
I've only really started to "get" techno in the last three or four years. Before that, it was the electronic genre that I had the most trouble wrapping my head around. When I first got into electronic music in my late teens, techno just wasn't didn't have the same kick-your-ass visceral rush as drum n' bass, my genre of choice.
Now that I'm a little older, I can appreciate techno's less aggressive, less muscular vibe and get behind it's robot-funk.
"Huesca" is the newest output from Juan Atkins, one of techno's founding fathers. It's all sharp kicks, moody keys and squelching basslines. It's honestly got me so jacked that I can't breathe.
So, I found out about a band from Hamilton, Ontario, about 90 minutes from my house, via a blog from the UK. I don't know how I feel about this.
On one hand, it's always good to find out about fresh Canadian talent. On the other hand, I feel like sort of a chump that I found out abouty Dark Mean from them, and not the other way around.
Dark Mean play the sort of danceable indie rock that gets hipster kids dancing, but it's less The Rapture and more Joy Division. Like the almighty Division, Dark Mean manage to successfully parlay dancey, ass-shaking high hats, swirling guitars, and an overarching feeling of loneliness. Good stuff.
3) "Comme à la Télévision" - Omnikrom, from YouTube
This is the only one I didn't jack from another blog. Exclaim gave me a review copy of Comme à la Télévision, and not only was it the first unabashedly positive review I've written for them, it was one of the best albums I've heard in a long-ass time.
Omnikrom are in kind of weird spot right now. As far as I can tell, they're verging on mainstream popularity in Quebec, but don't even show up on the radar in the rest of North America. That's not entirely surprising, being as they only rhyme in French, but if English-speaking audience can manage to get behind Spanish-language reggaeton tracks, there's no reason they shouldn't be able to get into Omnikrom. If and when they tour English Canada, everybody needs to go see them.
